Robbins is a self-taught but dedicated aficionado of human consciousness and has learnt the many ways in which our attention can be manipulated.
The article discusses how Robbins does many of his pickpocketing techniques but also discusses how he got into the business and how he has begun collaborating with cognitive scientists to help us understand scientifically what he has learnt artistically.
Robbins uses various metaphors to describe how he works with attention, talking about “surfing attention,” “carving up the attentional pie,” and “framing.” “I use framing the way a movie director or a cinematographer would,” he said. “If I lean my face close in to someone’s, like this”—he demonstrated—“it’s like a closeup. All their attention is on my face, and their pockets, especially the ones on their lower body, are out of the frame. Or if I want to move their attention off their jacket pocket, I can say, ‘You had a wallet in your back pocket—is it still there?’ Now their focus is on their back pocket, or their brain just short-circuits for a second, and I’m free to steal from their jacket.”
In fact, he jointly published a scientific study in 2011 based on his discovery that when something starts moving in a straight line people tend to look back to the origin of the movements, but if something moves in a curve they stay fixed on the object.
There’s even one where he explains how he does it in terms of the neuroscience of attention which is particularly good.
But don’t miss this New Yorker article, it’s both an entertaining and informative guide to a master of human attentional blindspots.
Link to New Yorker article ‘A Pickpocket’s Tale’.