Do violent video games make teens ‘eat and cheat’ more?

By Tom Stafford, University of Sheffield

The Headlines

Business Standard: Violent video games make teens eat more, cheat more

Scienceblog.com: Teens ‘Eat more, cheat more’ after playing violent video games

The Times of India: Violent video games make teens cheat more

The story

Playing the violent video game Grand Theft Auto made teenagers more aggressive, more dishonest and lowered their self control.

What they actually did

172 Italian high school students (age 13-19 years old), about half male and half female, took part in an experiment in which they first played a video game for 35 minutes. Half played a non-violent pinball or golf game, and half played one of the ultra-violent Grand Theft Auto games.

During the game they had the opportunity to eat M&M’s freely from a bowl (the amount they scoffed provided a measure of self-control), and after the game they had the opportunity take a quiz to earn raffle tickets (and the opportunity to cheat on the quiz, which provided a measure of dishonesty). They also played a game during which they could deliver unpleasant noises to a fellow player as punishments (which was used to measure of aggression).

Analysis of the results showed that those who played the violent video game had lower scores when it came to the self-control measure, cheated more and were more aggressive. What’s more, these effects were most pronounced for those who had high scores on a scale of “moral disengagement” – which measures how loose your moral thinking is. In other words, if you don’t think too hard about right and wrong, you score highly.

How plausible is this?

This is a well designed study, which uses random allocation to the two groups to try to properly assess causation (does the violent video game cause immoral behaviour?).

The choice of control condition was reasonable (the other video games were tested and found to be just as enjoyed by the participants), and the measures are all reasonable proxies for the things we are interested in. Obviously you can’t tell if weakened self-control for eating chocolate will mean weakened self-control for more important behaviour, but it’s a nice specific measure which is practical in an experiment and which just might connect to the wider concept.

The number of participants is also large enough that we can give the researchers credit for putting in the effort. Getting about 85 people in each group should give a minimum of statistical power, which means any effects might be reliable.

As an experimental psychologist, there’s lots for me to like about this study. The only obvious potential problem that I can see is that of demand effects, subtle cues that can make participants aware of what the experimenter expects to find or how they should behave. The participants were told they were in a study which looked at the effects of video games, so it isn’t impossible that some element of their behaviour was playing up to what they reasonably guessed the researchers were looking for and it doesn’t look like the researchers checked if this might be the case.

Tom’s take

You can’t leap to conclusions from a single study, of course – even a well designed one. We should bear in mind the history of moral panics around new technology and media. Today we’re concerned with violent video games, 50 years ago it was comic books and jazz. At least jazz is no longer corrupting young people.

Is our worry about violent video games just another page in the history of adults worrying about what young people are up to? That’s certainly a factor, but unlike jazz, it does seem psychologically plausible that a game where you enjoy reckless killing and larceny might encourage players to be self-indulgent and nasty.

Reviews suggest violent media may be a risk factor for violent behaviour, just like cigarette smoke is a risk factor for cancer. Most people who play video games won’t commit violent acts, just like most people who passive smoke won’t get cancer.

The problem is other research reviews into impact of violent entertainment on our behaviour suggest the evidence for a negative effect is weak and contradictory.

Video games are a specific example of the general topic of if and how media affect our behaviour. Obviously, we are more than complete zombies, helpless to resist every suggestion or example, but we’re also less than completely independent creatures, immune to the influence of other people and all forms of entertainment. Where the balance lies between these extremes is controversial.

For now, I’m going to keep an open mind, but as a personal choice I’m probably not going to get the kids GTA for Christmas.

Read more

The original paper: Interactive Effect of Moral Disengagement and Violent Video Games on Self-Control, Cheating, and Aggression

@PeteEtchells provides a good summary of the scientific (lack of) consensus: What is the link between violent video games and aggression?

Commentary by one researcher on the problems in the field of video game research: The Challenges of Accurate Reporting on Video Game Research

And a contrary research report: A decade long study of over 11,000 children finds no negative impact of video games

Tom Stafford does not work for, consult to, own shares in or receive funding from any company or organisation that would benefit from this article, and has no relevant affiliations.

The Conversation

This article was originally published at The Conversation.
Read the original article, or other columns in the series

Are classical music competitions judged on looks?

Looking at the evidence behind a recent news story

The headlines

The Los Angeles Times: People trust eyes – not ears – when judging musicians

Classic FM: Classical singers judged by actions not voice

Nature: Musicians’ appearances matter more than their sound

The story

If you wanted to pick out the musician who won a prestigious classical music competition would you listen to a clip of them playing or watch a silent video of them performing the same piece of music?

Most of us would go for an audio clip rather than video, and we’d be wrong. In a series of experiments, Chia-Jung Tsay from University College London, showed that both novices and expert musicians were better able to pick out the winners when they watched rather than listened to them.

The moral, we’re told, is that how you look is more important than how you sound, even in elite classical music competitions.

What they actually did

Dr Tsay, herself a classically trained musician, used footage from real international classical music competitions. She took the top three finalists and asked volunteers to pick out the real winner – with a cash incentive – by looking at video without sound, sound without video, or both.

Over a series of experiments she showed that people think that audio will be more informative than video, but actually people are able to pick the real winner when watching video clips. But they aren’t able to do this when listening to audio clips (these test subjects only perform at the level of chance). The shocking thing is that when people get sound and video clips, which notionally contain more information, they still perform at chance. The implication being that they would do better if they could block their ears and ignore the sound.

Follow up experiments suggested that people’s ability to pick winners depended on their being able to pick out things associated with “stage presence”. A video reduced to line drawings, designed to remove details and emphasise motion, still allowed people to pick out winners at an above chance rate. Another experiment showed that asking people to identify the “most confident, creative, involved, motivated, passionate, and unique performer” tallied with the real winners.

How plausible is this?

We’re a visual species. How things look really matters, as everyone who has dressed up for an interview knows. It’s also not uncommon for us to be misled into believing that how something looks isn’t as important as it really is (here’s an example: judging wine by the labels rather than the taste).

What is less plausible is the spin put on the story by the headlines. We all know that looks are important, but how can they really be more important than sound in a classical music competition? The most important thing really is the sound, but this research resonates with a popular cliché about how irrational we are.

Tom’s take

The secret to why these experiments give the results they do is in this detail: the judgement that people were asked to make was between the top three finalists in prestigious international competitions. In other words, each of these musicians is among the best in the world at what they do. The best of the best even.

In all probability there is a minute difference between their performances on any scale of quality. The paper itself admits that the judges themselves often disagree about who the winner is in these competitions.

The experimental participants were not scored according to some abstract ability to measure playing quality, but according to how well they were able to match real-world competition outcome.

The experiments show that matching the judges in these competitions can be done based on sight but not on sound. This isn’t because sight reveals playing quality, but because sight gives the experimental participants similar biases to the real judges. The real expert judges are biased by how the performers look – and why not, since there is probably so little to choose between them in terms of how they sound?

This is why the conclusion, spelt out in the original paper, is profoundly misleading: “The findings demonstrate that people actually depend primarily on visual information when making judgements about music performance”. It remains completely plausible that most of us, most of the time, judge music on how it sounds, just like we assumed before this research came out.

In ambiguous cases we might rely on looks over sounds – even the experts among us. This is a blow to musicians who thought it was always just about sound – but isn’t a revelation to the rest of us who knew that when choices are hard, whether during the job interview or the music competition, looks matter.

Read more

The original paper: Sight over sound in the judgment of music performance. Tsay, C-J (2013), Proceedings of the National Academy of Sciences

Special mention for the BBC and reporter Melissa Hogenboom who were the only people, as far as I know, who managed to report this story with an accurate headline: Sight dominates sound in music competition judging

The interaction between the senses is an active and fascinating research area. Read more from the Crossmodal Research Laboratory at the Univeristy of Oxford and Cross-modal perception of music network at the University of Sheffield

The Conversation

This article was originally published at The Conversation.
Read the original article.

What makes the ouija board move

The mystery isn’t a connection to the spirit world, but why we can make movements and yet not realise that we’re making them.

Ouija board cups and dowsing wands – just two examples of mystical items that seem to move of their own accord, when they are really being moved by the people holding them. The only mystery is not one of a connection to the spirit world, but of why we can make movements and yet not realise that we’re making them.

The phenomenon is called the ideomotor effect and you can witness it yourself if you hang a small weight like a button or a ring from a string (ideally more than a foot long). Hold the end of the string with your arm out in front of you, so the weight hangs down freely. Try to hold your arm completely still. The weight will start to swing clockwise or anticlockwise in small circles. Do not start this motion yourself. Instead, just ask yourself a question – any question – and say that the weight will swing clockwise to answer “Yes” and anticlockwise for “No”. Hold this thought in mind, and soon, even though you are trying not to make any motion, the weight will start to swing in answer to your question.

Magic? Only the ordinary everyday magic of consciousness. There’s no supernatural force at work, just tiny movements you are making without realising. The string allows these movements to be exaggerated, the inertia of the weight allows them to be conserved and built on until they form a regular swinging motion. The effect is known as Chevreul’s Pendulum, after the 19th Century French scientist who investigated it.

What is happening with Chevreul’s Pendulum is that you are witnessing a movement (of the weight) without “owning” that movement as being caused by you. The same basic phenomenon underlies dowsing – where small movements of the hands cause the dowsing wand to swing wildly – or the Ouija board, where multiple people hold a cup and it seems to move of its own accord to answer questions by spelling out letters. The effect also underlies the sad case of “facilitated communication“, a fad whereby carers believed they could help severely disabled children communicate by guiding their fingers around a keyboard. Research showed that the carers – completely innocently – were typing the messages themselves, rather than interpreting movements from their charges.

The interesting thing about the phenomenon is what it says about the mind. That we can make movements that we don’t realise we’re making suggests that we shouldn’t be so confident in our other judgements about what movements we think are ours. Sure enough, in the right circumstances, you can get people to believe they have caused things that actually come from a completely independent source (something which shouldn’t surprise anyone who has reflected on the madness of people who claim that it only started raining because they forget an umbrella).

You can read what this means for the nature of our minds in The Illusion of Conscious Will by psychologist Daniel Wegner, who sadly died last month. Wegner argued that our normal sense of owning an action is an illusion, or – if you will – a construction. The mental processes which directly control our movements are not connected to the same processes which figure out what caused what, he claimed. The situation is not that of a mental command-and-control structure like a disciplined army; whereby a general issues orders to the troops, they carry out the order and the general gets back a report saying “Sir! We did it. The right hand is moving into action!”. The situation is more akin to an organised collective, claims Wegner: the general can issue orders, and watch what happens, but he’s never sure exactly what caused what. Instead, just like with other people, our consciousness (the general in this metaphor) has to apply some principles to figure out when a movement is one we’ve made.

One of these principles is that cause has to be consistent with effect. If you think “I’ll move my hand” and your hand moves, you’re likely to automatically get the feeling that the movement was one you made. The principle is broken when the thought is different from the effect, such as with Chevreul’s Pendulum. If you think “I’m not moving my hand”, you are less inclined to connect any small movements you make with such large visual effects. This maybe explains why kids can shout “It wasn’t me!” after breaking something in plain sight. They thought to themselves “I’ll just give this a little push”, and when it falls off the table and breaks it doesn’t feel like something they did.

This is my column for BBC Future from a few weeks back. The original is here. It’s a Dan Wegner tribute column really – Rest in Peace, Dan

The curious relationship between truth and madness

I’ve got an article in The Observer on the misunderstood relationship between truth and madness.

The definition of a ‘delusion’ has just been changed so it no longer has to be considered a ‘false belief’.

It turns out that this issue turns up regularly in world events, owing to the sad tendency for whistle-blowers to be ‘accused’ of being ‘mentally ill’ when others don’t like what they’re saying.

It’s not clear who forcibly sedated her in 1972. It’s not certain that she was admitted to a psychiatric ward in the following year. What’s definite though is that many people thought she was mad as she ranted about conspiracies in the White House during eccentric phone calls to the press. Questions about Martha Beall Mitchell’s sanity were encouraged by the Nixon administration, who consistently briefed against her and probably had her medicated against her will. But ultimately her claims were proven correct when the Watergate scandal broke.

It’s worth bearing in mind that we’re not talking about the everyday use of the term ‘delusion’ (typically meaning mistaken) but the psychiatric definition which describes intensely held beliefs that are impervious to reality.

They are fascinating in many ways but, as the article discusses, they do not necessarily mean that the person is wrong.
 

Link to Observer article on truth and delusion.

The uncertain dance of the spoken word

Stanford Magazine has a wonderful article by a writer who relies on lip-reading and experiences speech through this subtle movement-based language.

Rachel Kolb skilfully describes how this works, and more importantly, feels.

The part where she describes how she experiences accents is just amazing:

Accents are a visible tang on people’s lips. Witnessing someone with an accent is like taking a sip of clear water only to find it tainted with something else. I startle and leap to attention. As I explore the strange taste, my brain puzzles itself trying to pinpoint exactly what it is and how I should respond. I dive into the unfamiliar contortions of the lips, trying to push my way to some intelligible meaning. Accented words pull against the gravity of my experience; like slime-glossed fish, they wriggle and leap out of my hands. Staring down at my fingers’ muddy residue, my only choice is to shrug and cast out my line again.

The full article is highly recommended. Both fascinating and wonderfully written.
 

Link to ‘Seeing at the Speed of Sound’ (via and thanks to @stevesilberman)

The rise of everyday neuroscience

I’ve got a feature article in The Observer about how our culture has become saturated with ‘neuroscience talk’ and how this has led to unhelpful simplifications of the brain to make the same old arguments.

This is often framed as a problem with ‘the media’ but this is just the most obvious aspect of the movement. Actually, it is a cultural change where the use of a sort of everyday ‘folk neuroscience’ has become credible in popular debate – regardless of its relationship to actual science.

Folk neuroscience comes with the additional benefit that it relies on concepts that are not easily challenged with subjective experience. When someone says “James is depressed because he can’t find a job”, this may be dismissed by personal experience, perhaps by mentioning a friend who was unemployed but didn’t get depressed. When someone says that “James is depressed because of a chemical imbalance in his brain”, personal experience is no longer relevant and the claim feels as if it is backed up by the authority of science. Neither usefully accounts for the complex ways in which our social world and neurobiology affect our mood but in non-specialist debate that rarely matters. As politicians have discovered it’s the force of your argument that matters and in rhetorical terms, neuroscience is a force-multiplier, even when it’s misfiring.

The article discusses how this popular neuroscience talk is being used and why is remains popular.

The piece was influenced by the work of sociologist Nikolas Rose who has written a great deal about how neuroscience is used to understand and manage people.

If you want to go in further depth than The Observer article allows I’d recommend his paper ‘Neurochemical Selves’ which is available online as a pdf.

A new book of his came out last week entitled ‘Neuro: The New Brain Sciences and the Management of the Mind’ which looks fascinating.
 

Link to Observer article ‘Our brains, and how they’re not as simple as we think’.

2013-01-25 Spike activity

Quick links from the past week in mind and brain news:

The interesting concept of a ‘possession trance disorder’ diagnosis is discussed by Neurocritic.

BBC News video reports on how Brazil is considering a law to forcibly remove crack addicts from the street into rehab.

Goodbye PDD-NOS, hello Social Communication Disorder. A sneaked-out DSM-5 change for the autism spectrum is covered by Cracking the Enigma.

Nature reports that Henry Markham’s Human Brain Project which is supposedly aiming to ‘simulate the human brain’ (but actually, isn’t) gets kazillion dollar funding.

The DSM-5 will cost $199 a copy, reports DSM-5 in Distress. That’s like 50c a diagnosis.

Brighton Science Festival has a fantastic day on the Science of Sex on 9th February.

China’s One Child Policy may have altered the personality of a generation according to research reviewed by the Nodes of Ranvier blog.

Time magazine on how the tactics used in ‘troubled teen’ reality TV programmes are know to make adolescents worse.

Is there a right age for first sex? an interesting study is briefly covered by Providentia.

Discover Magazine reports that data storage in DNA has become a reality. Sony to sue RNA strands for piracy.

A new Nature NeuroPod has hit the wires. Psychology and Sherlock Holmes, movement and memory.

Colossal has some wonderful abstract 3D sculptures that transform in cylindrical mirrors. Have to be seen.

Compare and contrast: high heels make women’s walk more attractive to males / historically women adopted high heels from male fashion to masculinise their outfits. Found: an evolutionary psychology infinite loop!

BBC Column: when you want what you don’t like

My BBC Future column from Tuesday. The original is here. It’s a Christmas theme folks, but hopefully I cover an interesting research area too: Berridge, Robinson and colleagues’ work on the wanting/liking distinction.

As the holiday season approaches, Tom Stafford looks at festive overindulgence, and explains how our minds tell us we want something even if we may not like it.

Ah, Christmas, the season of peace, goodwill and overindulgence. If this year is like others, I’ll probably be taking up residence on the couch after a big lunch, continuing to munch my way through packets of unhealthy snacks, and promising myself that I’ll live a more virtuous life once the New Year begins.

It was on one such occasion that I had an epiphany in the psychology of everyday life. I’d just finished the last crisp of a large packet, and the thought occurred to me that I don’t actually like crisps that much. But there I was, covered in crumbs and post-binge guilt, saturated fats coursing through my body looking for nice arteries to settle down on. In an effort to distract myself from the urge to reach for another packet, I started to think about the peculiar psychology of the situation.

Every bite seemed essential, but in a way that seem to suggest I was craving them rather than liking them. Fortunately for my confusion (and my arteries), there’s some solid neuroscience to explain how we can want something we don’t like.

Normally wanting and liking are tightly bound together. We want things we like and we like the things we want. But experiments by the University of Michigan’s Kent Berridge and colleagues show that this isn’t always the case. Wanting and liking are based on separate brain circuits and can be controlled independently.

To demonstrate this, Berridge used a method called “taste reactivity“, in effect, recording the faces pulled when animals are given different kinds of food. Give an adult human something sweet and they’ll lick their lips. This might sound obvious, but when you take it to the next level in terms of detail and rigour you start to get a powerful system for telling how much an animal likes a particular type of food. Taste reactivity involves defining the reactions precisely – for example, lip-licking would be defined as “a mild rhythmic smacking, slight protrusions of the tongue, a relaxed expression accompanied sometimes by a slight upturn of the corners of the mouth” – and then looking for this same expression in other species. A baby human can’t tell you they like the taste like an adult can, but you can see the same expression. A chimpanzee will do the same with a sweet taste. A rat won’t do exactly the same thing, but they do something similar. By carefully observing and coding the facial expressions that accompany nice and nasty tastes, you can tell what an animal is enjoying and what they aren’t.

Pleasure principles

 

This method is a breakthrough because it gives us another way of looking at how non-human species feel about things. Most animal psychology uses overt actions – things like pressing levers – as measures. So, for example, if you want to see how a reward affects a rat, you put it in a box with a lever and give it food each time it presses the level. Sure enough, the rat will learn to press the lever once it learns that this produces food. Taste reactivity creates an additional measure, allowing us insight into how much the animal enjoys the food, as well as what it makes it want to do.

From this, the neuroscientists have been able to show that wanting and liking are governed by separate circuits in the brain. The liking system is based in the subcortex, that part of our brain that is most similar to other species. Electrical stimulation here, in an area called the nucleus accumbans, is enough to cause pleasure. Sadly, you need brain surgery and implanted electrodes to experience this. But another way you can stimulate this bit of the brain is via the opioid chemical system, which is the brain messenger system directly affected by drugs like heroin. Like brain surgery, this is also NOT recommended.

Wanting happens in nearby, but distinct, circuits. These are more widely spread around the subcortex than the liking circuits, and use a different chemical messenger system, one based around a neurotransmitter called dopamine. Surprisingly, it is this circuit rather than the one for liking which seems to play a primary role in addiction. For addicts a key aspect of their condition is the way in which people, situations and things associated with drug taking become reminders of the drug that are impossible to ignore. Berridge has hypothesised that this is due to a drug’s direct effects on the wanting system. For addicts any reminder of drug taking triggers a neural cascade, which culminates in feelings of desire, but crucially, without needing any actual enjoyment of the drug to occur.

The reason wanting and liking circuits are so near each other is that they normally work closely together, ensuring you want what you like. But in addiction, the theory goes, the circuits can become uncoupled, so that you get extreme wanting without a corresponding increase in pleasure. Matching this, addicts are notable for enjoying the thing they are addicted to less than non-addicts. This is the opposite of most activities, where people who do the most are also the ones who enjoy it the most. (Most activities except another Christmas tradition, watching television, where you see the same pattern as with drug addictions – people who watch the most enjoy it the least).

So now you know what do when you find yourself chomping your way through yet another packet of crisps over the holiday period. Watch your face and see if you are licking your lips. If you are, perhaps your liking circuits are fully engaged and you’ll be happy with what you’ve eaten when you’re finished. If there’s no lip-licking then perhaps your wanting circuits are in control and you need to exercise some self-restraint. Perhaps after the next mouthful, though.

Where is your mind?

My BBC Future column from a few days ago. The original is here. I’m donating the fee from this article to Wikipedia. Read the column and it should be obvious why. Perhaps you should too: donate.wikimedia.org.

 

We like to think our intelligence is self-made; it happens inside our heads, the product of our inner thoughts alone. But the rise of Google, Wikipedia and other online tools has made many people question the impact of these technologies on our brains. Is typing in the search term, “Who has played James Bond in the movies?” the same as knowing that the answer is Sean Connery, George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig (… plus David Niven in Casino Royale)? Can we say we know the answer to this question when what we actually know is how to rapidly access the information?

I’ve written before about whether or not the internet is rewiring our brains, but here the question is about how we seek to define intelligence itself. And the answer appears to be an intriguing one. Because when you look at the evidence from psychological studies, it suggests that much of our intelligence comes from how we coordinate ourselves with other people and our environment.

An influential theory among psychologists is that we’re cognitive misers. This is the idea that we are reluctant to do mental work unless we have to, we try to avoid thinking things though fully when a short cut is available. If you’ve ever voted for the political candidate with the most honest smile, or chosen a restaurant based on how many people are already sitting in there, then you’ve been a cognitive miser. The theory explains why we’d much rather type a zipcode into a sat-nav device or Google Maps than memorise and recall the location of a venue – it’s so much easier to do so.

Research shows that people don’t tend to rely on their memories for things they can easily access. Things like the world in front of our eyes, for example, can be changed quite radically without people noticing. Experiments have shown that buildings can somehow disappear from pictures we’re looking at, or the people we’re talking to can be switched with someone else, and often we won’t notice – a phenomenon called “change blindness”. This isn’t as an example of human stupidity – far from it, in fact – this is an example of mental efficiency. The mind relies on the world as a better record than memory, and usually that’s a good assumption.

As a result, philosophers have suggested that the mind is designed to spread itself out over the environment. So much so that, they suggest, the thinking is really happening in the environment as much as it is happening in our brains. The philosopher Andy Clark called humans “natural born cyborgs“, beings with minds that naturally incorporate new tools, ideas and abilities. From Clark’s perspective, the route to a solution is not the issue – having the right tools really does mean you know the answers, just as much as already knowing the answer.

Society wins

A memory study by Daniel Wegner of Harvard University provides a neat example of this effect. Couples were asked to come into the lab to take a memorisation test. Half the couples were kept together, and half were reassigned to pair up with someone they didn’t know. Both groups then studied a list of words in silence, and were then tested individually. The pairs that were made up of a couple in a relationship could remember more items, both overall and as individuals.

What happened, according to Wegner, was that the couples in a relationship had a good understanding of their partners. Because of this they would tacitly divide up the work between them, so that, say, one partner would remember words to do with technology, assuming the other would remember the words to do with sports. In this way, each partner could concentrate on their strengths, and so individually they outperformed people in couples where no mental division of labour was possible. Just as you rely on a search engine for answers, so you can rely on people you deal with regularly to think about certain things, developing a shared system for committing items to memory and bringing them out again, what Wegner called “transactive memory”.

Having minds that work this way is one of the great strengths of the human species. Rather than being forced to rely on our own resources for everything, we can share our knowledge and so pool our understanding. Technology keeps track of things for individuals so we don’t have to, while large systems of knowledge serve the needs of society as a whole. I don’t know how a computer works, or how to grow broccoli, but that knowledge is out there and I get to benefit. And the internet provides even more potential to share this knowledge. Wikipedia is one of the best examples – an evolving store of the world’s knowledge for which everyone can benefit from. I use Wikipedia every day, aware of all the caveats of doing so, because it supports me in all the thinking I do for things like this column.

So as well as having a physical environment – like the rooms or buildings we live or work in – we also have a mental environment. Which means that when I ask you where your mind is, you shouldn’t point toward the centre of your forehead. As research on areas like transactive memory shows, our minds are made up just as much by the people and tools around us as they are by the brain cells inside our skull.

ENDNOTE: Wikipedia is an unparalleled democratisation of knowledge, a
wonderful sharing of human intelligence that’s free to anyone to view. I’m
donating the fee for this article to help support Wikipedia’s work. If you feel you can help out please follow this link: https://donate.wikimedia.org.

Human Touch

A curious article has just appeared in the latest edition of the International Journal of Group Psychotherapy. The opening line of the summary is oddly delightful:

The group, with its intensity, interaction, roles and dynamics, is an important unit of experience in everyday life, in psychotherapy groups, and in Bruce Springsteen’s music.

The author, psychotherapist Lorraine Mangione, has written a previous paper on how “Bruce Springsteen is an eloquent spokesperson for the psychological journey through darkness, disconnection, and despair that many people experience, and for which they might look to professional psychologists for help.”

My own paper, ‘Firestarter: Deviant Behaviour and Psychopathy in the Music of The Prodigy’ is still a work in progress.
 

Link to locked article on psychotherapy and The Boss (via @Neuro_Skeptic)

One who studies the soul

i-D magazine has an interview with instrumental dubstep fusion maestro Psychologist. As part of the interview they asked him where the name came from and he gave quite a beautiful answer

What’s behind the name?

Literally, Psychologist means ‘one who studies the soul’, we think of it as a scary word in our harsh-sounding, Germanic language, but it actually means something really beautiful. I also like that it is ambiguous as to whether it’s me studying my own soul, or yours, or you studying my soul, or me asking you to study your own. It’s like a big impossible object that goes around and around.

If you want something of the more melodic side of Psychologist ‘Comes in Waves’ is a particularly beautiful track, while you can listen to an example of his unusual fusion style on the track ‘1:1’.
 

Link to i-D interview with Psychologist.
Link to ‘Comes in Waves’ on YouTube.

Berlin cognitive science safari: report

So I’m back from my time in Berlin at the BMW Guggenheim Lab. As announced previously, I was there to give a talk about how perception works, and how cities control our perception. If you’re a regular mindhacks.com reader nothing I said would have been earth-shattering – it was a tour through some basics of perception and attention. I’ll just highlight two points:

Perception is about meaning. We so effortlessly transform visual input into percepts that we can forget what a difficult task it is. Fortunately we have a heap of dedicated brain machinery to do this for us. A common mistake is to think of perception as mere projection on an inner screen. Part of this fallacy is to think that perception is trivial, but another important part is to think that perception is about the production of images of some sort. Perception is the production of meaning, not the production of images. Our associations and experience are incorporated in the act of perception, so that they are intrinsic to the perceptual act (not somehow added “on top”, or as an after thought). This goes so way to explaining why foreigners appear so stupid in cities. In know that personally I feel my IQ drop at least 15 points as soon as the plane touches down in a foreign country. Native city dwellers have learn to read the city, through experience forming webs of association that build up into symbols. This allows them to instantly perceive what different scenes in the city mean for how they should act. Here’s an example I used in my talk.

Outside Berlin Zoo, looking for the underground: which way should I go? The visual sign for the U-bahn actually forms a tiny fraction of the visual field, so small that I’d bet it is invisible to the majority of my peripheral vision. To a resident of Berlin the way to the tube is obvious, perceptual learning ensures that they don’t even have to think about which symbol to look for, or what it means. The accumulation of thousands of pieces of perceptual expertise is what makes us natives in a city, and what renders us flailing when abroad.

Attention is co-constituted with history and the environment. What we notice depends on what we are seeking, what we have previously experienced and the world around us. We can choose to look for something, or concentrate on something, but our attention can also be driven by factors outside of our
direct control. Advertisers know this, and hence we get bright adverts, moving adverts, and the plethora of adverts which use faces and particularly eyes. Light contrasts, movement and human eyes are all elements which are fundamentally wired into the operation of our visual system. Advertisers are using them to perform a subcortical hijack of what we look at as we navigate the city. The psychology of advertising is a different talk, in Berlin it occurred to me that attention could be a useful, concrete, model generally for thinking about how our agency is spread between self and world.

After the talk was the real highlight – a cognitive science safari where we went out into the city and tried out some interventions based on classic experiments from psychology. Demonstration of strange allure of a crowd all looking the same way worked reasonably well (looking up is definitely more attention-capturing than horizontal gaze). So did ‘reading’ someone’s country of origin from their appearance alone, but the real treat of the tour was the change blindness ‘door’ experiment

This video shows one run of the experiment (thanks to tour particpant Hans Huett for taking it. Jump to about 0:50 for the action). We can see Matt Craddock and another volunteer (sorry, I didn’t catch your name) waiting for an unsuspecting member of the public. After engaging him in asking for directions, Yunus (my Berlin fixer) and Jakub Limanowski (mindhacks.com reader and volunteer), arrive from around the corner, carrying the door. After swopping Matt for Jakub we can see the member of the public continuing giving directions as if nothing has happened – he was blind to the change! Later we tried a more extreme change, swopping an older, shorter, beardless gentleman into Matt’s place – again it worked, asking the question of just how extreme a change you could make and the phenomenon still work.

The moral of this story is not that many people are stupid, just that attention is a double-edged sword. The good citizens of Berlin focus hard on giving directions, not on monitoring the identity of their interlocutor for signs of an improbable change. Yes, the phenomenon shows how much of the environment we are not aware, but it is also a back-handed tribute to our ability to focus our attention where we want.

BBC Column: What makes us laugh?

This is my BBC Future column from a couple of weeks ago. You can find the original here

 

A simple question with a surprisingly complex answer – understanding laughter means understanding fundamental issues of human nature.

Why do we laugh? Well it’s funny you should ask, but this question was suggested by reader Andrew Martin, and it is a very interesting one to investigate. For what at first seems like a simple question turns out to require a surprisingly complex answer – one that takes us on a journey into the very heart of trying to understand human nature.

Most people would guess that we laugh because something is funny. But if you watch when people actually laugh, you’ll find this isn’t the case. Laughter expert Robert Provine spent hours recording real conversations at shopping malls, classrooms, offices and cocktail parties, and he found that most laughter did not follow what looked like jokes. People laughed at the end of normal sentences, in response to unfunny comments or questions such as “Look, it’s Andre,” or “Are you sure?”. Even attempts at humour that provoked laughter didn’t sound that funny. Provine reports that the lines that got the biggest laughs were ones such as “You don’t have to drink, just buy us drinks,” and “Do you date within your species?”. I guess you had to be there.

Brain triggers
So if we want to understand laughter, perhaps we need to go deeper, and look at what is going on in the brain. The areas that control laughing lie deep in the subcortex, and in terms of evolutionary development these parts of the brain are ancient, responsible for primal behaviours such as breathing and controlling basic reflexes. This means laughter control mechanisms are located a long way away from brain regions that developed later and control higher functions such as language or even memory.

Perhaps this explains why it is so hard to suppress a laugh, even if we know it is inappropriate. Once a laugh is kindled deep within our brains these ‘higher function’ brain regions have trouble intervening. And the reverse is true, of course, it is difficult to laugh on demand. If you consciously make yourself laugh it will not sound like the real thing – at least initially.

 

There is another fundamental aspect to laughing. All humans laugh, and laughter always involves a similar pattern of whooping noises. Deaf people who have never heard a sound still make laughing noises. The laughing noises produced by humans share many of the acoustic properties of speech, further evidence laughter is hijacking the brain and body apparatus that we use for breathing and talking.

But this does not fully answer the original question. Even if we identified the precise brain areas associated with laughing, even if we were able to make someone laugh by stimulating part of their brain (which can be done), we still don’t know what makes people laugh. Yes, we know about the effect, but what about the cause, that is, the reason why we laugh in the first place?

Shared joke
To answer this, perhaps we need to look outwards, to look at the social factors at play when people laugh. I’ve already mentioned Provine’s study of laughter in its natural context. Provine showed that laughter is used to punctuate speech, it doesn’t just interrupt at random. This suggests that it plays a communicative role – it isn’t just some independent process that happens to us while we are talking to someone. He also found that the speaker typically laughs more than the audience, and that laughter was most common in situations of emotional warmth and so-called ‘in-groupness’. Again, all strongly suggesting that laughter has an important social role. And it is not always used for positive reasons. For all the good feeling that goes with laughing with someone, there is also a dark side, when someone is laughed at to belittle or show disdain.

Perhaps the most important social feature of laughter is how contagious it is. Just listening to someone laugh is funny. To test this, try keeping a straight face while watching this video of a man tickling a gorilla. You can even catch laughter from yourself. Start with a forced laugh and if you keep it up you will soon find yourself laughing for real.

What these observations show is that laughter is both fundamentally social, and rooted deep within our brains, part and parcel of ancient brain structures. We laugh because we feel like it, because our brains make us, and because we want to fit in socially. All these things are true. But biologists distinguish at least four fundamental types of answer you can give to explain behaviour: “why did it evolve?”; “how did it evolve?”; “How does it develop across the lifespan?” and  “how does it work?”.

This column has given some answers to the first question (laughter evolved for social interaction) and the last question (laughter is controlled by evolutionary ancient brain centres that control breathing and speech), but even with the beginnings of answers to these two questions, the other two are far from being answered. Each time we get closer to an answer for a fundamental question, it deepens our appreciation of the challenge remaining to answer the others.

Thank you to Andrew Martin for suggesting the topic. If you have your own suggestions please send them to tom@mindhacks.com

The seers and oracles

An evocative passage from the 1976 book Hallucinogens and Shamanism about the use of the hallucinogenic Psilocybe mexicana mushroom by the Mazatec people of Mexico.

The Mazatecs say that the mushrooms speak. If you ask a shaman where his imagery comes from, he is likely to reply: I didn’t say it, the mushrooms did. The shamans who eat them; their function is to speak, they are the speakers who chant and sing the truth, they are the oral poets of their people, the doctors of the word, they who tell what is wrong and how to remedy it, the seers and oracles, the ones possessed by the voice.

 

Link to details of book.

Dressing psychologists as wizards in court

From overlawyered.com we hear that in 1995, New Mexico state senator Duncan Scott introduced a legislative ammendment providing that

When a psychologist or psychiatrist testifies during a defendant’s competency hearing, the psychologist or psychiatrist shall wear a cone-shaped hat that is not less than two feet tall. The surface of the hat shall be imprinted with stars and lightning bolts. Additionally, a psychologist or psychiatrist shall be required to don a white beard that is not less than 18 inches in length, and shall punctuate crucial elements of his testimony by stabbing the air with a wand. Whenever a psychologist or psychiatrist provides expert testimony regarding a defendant’s competency, the bailiff shall contemporaneously dim the courtroom lights and administer two strikes to a Chinese gong…

The amendment, which was intended satirically, was passed unanimously but removed removed from the bill before it became law.

Link: Original post at Overlawyered
Thanks Pamela for the tip!

Gimme Shelter

The Rolling Stones launched their career in a social therapeutic club, designed to help troubled youth with communication skills. The club became legendary in rock ‘n roll history but its therapeutic roots have almost been forgotten.

Eel Pie Island is a small patch on the River Thames famous for the underground club that earned a place in 60’s history for hosting the cream of jazz bands and rock n’ roll outfits.

Less well known, is the story of how the club was created as a therapeutic environment to help troubled youth.

Its place in music history has been recounted many times over the years but its therapeutic past has almost been forgotten. At the time, it seems only to have been discussed in a 1969 article published in the International Journal of Social Psychiatry.

The club was created by junk shop owner and sociologist Arthur Chisnall. He was both a music fan and, what we would now call an outreach worker, concerned about disaffected youth.

As a music promoter, he got the cream of the American jazz and blues scene to play the club, which attracted punters like the recently formed Rolling Stones, who were just discovering the electric-tinged blues sound that they would later champion. They shortly became the house band.

But the idea was to create a club where kids could turn up and socialise, encouraged by the underground vibe, while the staff would encourage interaction and social communication skills.

The 1969 International Journal of Social Psychiatry article described the therapeutic approach:

How is therapy accomplished? Workers at the Club convey an accepting and non-judgmental attitude toward the members. A new member can come as frequently or infrequently as he wishes and thus regulate his attendance in accordance with his ability to accept the situation, so that the Club is minimally threatening to its participants. The Island’s somewhat rakish reputation surely contributes to its appeal for many youngsters…

Communication is so central to the Club’s therapeutic rationale that the only dimension on which members are classified by the staff is in terms of their being part of either a high-, medium-, or low-communication culture. Other forces making for therapy are conversations initiated by the staff, the music itself, vocational help, and identification with the Club’s founder.

In fact, Chisnall made a point of making sure people were matched with suitable friends inside the club, what we would now called ‘enhancing social support’, while putting members in contact with suitable support organisations and agencies if needed.

Musically, the club started out as a jazz club but its “somewhat rakish reputation” increasingly attracted London’s growing rock ‘n roll scene hosting The Rolling Stones, Clapton, Jeff Beck, Jimmy Page, Bowie, Rod Stewart, Pink Floyd, The Who and Pink Floyd, among a host of others.

The club, and the social therapeutic experiment, closed in ’67, apparently because Chisnall couldn’t pay repairs demanded by the police, and the building was eventually destroyed in a fire in 1971.

Nowadays, Ell Pie Island is widely recognised as the father of the 60’s rock n’ roll scene but it is hardly known that it was also the father of community intervention projects that use everything from hip hop to graffiti to get troubled kids into a positive social environment.
 

Link to locked ’69 article “A Social-Therapeutic Jazz Club in England”
Link to BBC piece on its musical legacy.
Link to book chapter on the same.